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Muriel Spark (1918-2006)


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A Bibliography of Literary Theory, Criticism and Philology



http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel García Landa

(University of Zaragoza, Spain)

Muriel Spark (1918-2006)
(British novelist, b. Edinburgh; l. Africa; London; l. with Derek Stanford, separation; Catholic convert; C. Litt. 1992; DBE 1993, Italia Prize, James Tait Black Memorial Prize, FNAC Prix Etranger, Saltire Prize, Ingersoll T. S. Eliot Award, David Cohen British Literature Prize; hon. Member of the American Academy of Arts and Letters 1978. Commandeur de l'Ordre des arts et des Lettres, France, 1996; retired and d. in Tuscany)

Works
Spark, Muriel. The Fanfarlo and Other Verse. 1952.

_____. Child of Light. Biography of Mary Shelley. London, 1951.

_____. "Mary Shelley: A Prophetic Novelist." Listener 22 Feb. 1951: 305-6.

_____. The Fanfarlo and Other Verse. London: Erica Marx, 1952.

_____. John Masefield. Biography. 1953. Century Hutchinson, 1992.

_____. Emily Brontë. Biography. 1955.

_____. The Comforters. Novel. 1957.

_____. The Comforters. Harmondsworth: Penguin, 1963.

_____. The Comforters. London: Macmillan, 1974.

_____ . Robinson. Novel. 1958. Harmondsworth: Penguin.

_____. The Go-Away Bird and Other Stories. London: Macmillan, 1958.

_____. "The Black Madonna." From The Go-Away Bird. In The Penguin Book of Modern Women's Short Stories. Ed. Susan Hill. London: Penguin, 1991. 108-29.

_____. Memento Mori. Novel. 1959.

_____. Memento Mori. Harmondsworth: Penguin, 1972.

_____. The Ballad of Peckham Rye. Novel. 1960.

_____. The Ballad of Peckham Rye. Harmondsworth: Penguin, 1975.

_____. The Bachelors. Novel. 1960. Harmondsworth: Penguin.

_____. "My Conversion." Essay. Twentieth Century 170 (1961).

_____. Voices at Play. Stories and radio plays. 1961.

_____. The Prime of Miss Jean Brodie. Novel. London: Macmillan, 1961.

_____. The Prime of Miss Jean Brodie. New York: The New Yorker, 1971.

_____. The Prime of Miss Jean Brodie. Harmondsworth: Penguin, 1965.

_____. Les Belles années de Mademoiselle Brodie. (Motifs). Le Serpent à Plumes, 2006.

_____. La plenitud de la señorita Brodie. Pre-Textos.

_____. Doctors of Philosophy. Play. 1962. Pub. 1963.

_____. The Girls of Slender Means. Novel. 1963.

_____. The Girls of Slender Means. Harmondsworth: Penguin, 1976.

_____. The Mandelbaum Gate. Novel. 1964. Harmondsworth: Penguin.

_____. "The Poet's House." Essay. Encounter 30 (May 1968).

_____. The Public Image. Novel. 1968.

_____. Public Image. Harmondsworth: Penguin, 1970.

_____. The Driver's Seat. Novel. London: Macmillan, 1970.

_____. The Driver's Seat. New York: Knopf, 1970.

_____. The Driver's Seat. Harmondsworth: Penguin, 1974.*

_____. Not to Disturb. Novel. London: Macmillan, 1971.

_____. Not to Disturb. Harmondsworth: Penguin, 1974.

_____. The Hothouse by the East River. Novel. London: Macmillan, 1973.

_____. The Hothouse by the East River. Harmondsworth: Penguin, 1975.

_____. The Abbess of Crewe. Novel. London: Macmillan, 1974.

_____. The Abbess of Crewe. Harmondsworth: Penguin.

_____. The Takeover. Novel. London: Macmillan, 1976.

_____. The Takeover. Harmondsworth: Penguin.

_____. The Driver's Seat. Novel. Harmonsworth: Penguin.

_____. El asiento del conductor. Trans. Pepa Linares. Prol. Eduardo Lago. Zaragoza: Contraseña, 2011.

_____. Territorial Rights. Novel. London: Macmillan, 1979.

_____. Territorial Rights. Harmondsworth: Penguin.

_____. Loitering with Intent. Novel. 1981. London: Bodley Head, 1984.

_____. Bang Bang You're Dead and Other Stories. 1982.

_____. "The House of the Famous Poet." From Bang Bang You're Dead. In The Penguin Book of Modern Short Stories. Ed. Malcolm Bradbury. Harmondsworth: Penguin, 1988. 181-88.*

_____. Going Up to Sotheby's. Poems. 1982.

_____. The Only Problem. Novel. 1984.

_____. The Only Problem. Novel. Harmondsworth: Penguin, 1995.

_____. The Stories of Muriel Spark. London: Bodley Head, 1986.

_____. A Far Cry from Kensington. Novel. London: Constable, 1988.

_____. A Far Cry from Kensington. Harmondsworth: Penguin.

_____. À Cent lieues de Kensington.

_____. Mary Shelley. New York: Dutton, 1987. (Rev. ed. of Child of Light).

_____. Mary Shelley. London: Constable, 1988.

_____. Symposium. Novel. London: Constable, 1990.

_____. Symposium. Harmondsworth: Penguin, 1991.

_____. Curriculum Vitae: Autobiography. London: Constable, 1992.

_____. Curriculum Vitae: Autobiography. Penguin, 1993.

_____. The French Window. Children's story. 1993.

_____. The Small Telephone. Children's story. 1993.

_____. The Collected Stoires of Muriel Spark. Harmondsworth: Penguin, 1994.

_____. The Portobello Road. Harmondsworth: Penguin, 1995.

_____. Portobello Road. French trans.

_____. Reality and Dreams. Novel. London: Constable, 1996.*

_____. "The First Year of My Life." In The Penguin Book of First World War Stories. Ed. Barbara Korte with Marie Einhaus. (Penguin Classics). London: Penguin, 2007. 327-33.*

_____. Aiding and Abetting: A Novel. London: Penguin-Viking, 2000. *

_____ , ed. Poetry Review. 1947-49.

Spark, Muriel, and Derek Stanford, eds. My Best Mary. (Selected works by Mary Shelley). 1953.

Stanford, Derek, and Muriel Spark, eds. Tribute to Wordsworth. London: André Deutsch, 1950.

Criticism
Alonso Rodríguez, Pilar. "Tipos de textos en The Ballad of Peckham Rye de Muriel Spark. Niveles estructurales y tratamiento lingüístico." Revista Canaria de Estudios Ingleses 22/23 (1991): 51-68.*

Carpi, Daniela. (On the social subject in crisis: Spark, Tremain, Ishiguro). EJES 1.2 (August 1997): Postmodernism. Ed. Catherine Bernard.

Cheyette, Brian. Muriel Spark. (Writers and Their Work). Horndon (Devon): Northcote House / British Council, 2000.*

Harrison, Bernard. Inconvenient Fictions: Literature and the Limits of Theory. New Haven: Yale UP, 1991.

Hidalgo, Pilar. Tiempo de mujeres. Madrid: Horas y Horas, 1995.

Kemp, Peter. Muriel Spark. Criticism. 1974.

Martín Lorenzo, Remedios. "The Uncanny in Mary Shelley's Frankenstein and Muriel Spark's Aiding and Abetting." In New Perspectives on English Studies. [32nd International Conference of AEDEAN, Nov. 2008]. CD-ROM. Ed. Marian Amengual et al. Palma: U de les Illes Balears, 2009.*

Martínez Reventós, María Dolores. "Muriel Spark's The Driver's Seat: The Case of an Enigmatically Perverse Suicide." Actas del XXI Congreso Internacional AEDEAN. Ed. F. Toda et al. Sevilla: U de Sevilla, 1999. 207-12.*

McBrien, William. "Muriel Spark: The Novelist as Dandy." In Twentieth-Century Women Novelists. Ed. Thomas F. Staley. London: Macmillan, 1982. 153-78.*

McQuillan, Martin. Theorising Muriel Spark. Houndmills: Macmillan, 2000.

Mengham, Rod. "1973 The End of History: Cultural Change According to Muriel Spark." In An Introduction to Contemporary Fiction: International Writing in English since 1970. Ed. Rod Mengham. Cambridge: Polity; Oxford and Malden (MA): Blackwell, 1999. 123-34.*

Monterrey Rodríguez, José Tomás. "Las formas de la ficción y las formas del mundo en la crítica sobre Muriel Spark." Revista Canaria de Estudios Ingleses 19/20 (1989-1990): 161-76.

_____. "Autobiografía y ficción en The Prime of Miss Jean Brodie, de Muriel Spark." Proceedings of the XIXth International Conference of AEDEAN. Ed. Javier Pérez Guerra et al. Vigo: Departamento de Filoloxía Inglesa e Alemana da Universidade de Vigo, 1996. 413-18.*

Ortega Larrea, Ana. "The Hothouse by the East River: El sueño sparkiano del purgatorio." In Actas del 25º Congreso AEDEAN, Granada 2001. CD-ROM. Granada: U de Granada: Departamento de Filología Inglesa, 2002.*

Rose, Jacqueline. States of Fantasy. Oxford: Clarendon, 1996.

Sierra Ayala, Lina. "Individualismo y liderazgo en The Prime of Miss Jean Brodie." Revista Alicantina de Estudios Ingleses 6 (1993): 163-71.*



Vara, Maria. "The Victim and Her Plots: The Function of the Overpowering Victim in Muriel Spark's The Driver's Seat." Gramma/Gramma 9 (2001): 139-56.*

Wolf, Werner. "Die ironische Illusion im gemäßigten Postmodernismus (Spark, The Comforters und Fowles, A Maggot.)" In Wolf, Ästhetische Illusion und Illusionsdurchbrechung in der Erzählkunst. Tübingen: Niemeyer, 1993. 699-729.*


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