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International English novelist, b. Japan; l


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A Bibliography of Literary Theory, Criticism and Philology



http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel García Landa

(University of Zaragoza, Spain)


Kazuo Ishiguro (1954)

(International English novelist, b. Japan; l. Britain)



Works
Ishiguro, Kazuo. A Pale View of Hills. Novel. London: Faber and Faber, 1982. (Winifred Holtby Prize).

_____. A Pale View of Hills. Harmondsworth: Penguin, 1982.

_____. A Pale View of the Hills. New York: Random House-Vintage International.

_____. Pálida luz de las colinas. Barcelona: Anagrama.

_____. An Artist of the Floating World. Novel. London: Faber and Faber, 1986. (Whitbread Prize).

_____. An Artist of the Floating World. (Vintage International). New York: Random House-Vintage, c. 1989.

_____. Un artista del mundo flotante. Barcelona: Anagrama.

_____. "A Family Supper." Firebird 2. In The Penguin Book of Modern Short Stories. Ed. Malcolm Bradbury. Harmondsworth: Penguin, 1988. 434-42.*

_____. The Remains of the Day. Novel. London: Faber and Faber, 1989. 1990.* (Booker Prize 1989).

_____. The Remains of the Day. Toronto: Lester and Orpen Dennys, 1989.

_____. The Remains of the Day. New York: Knopf, 1989.

_____. The Remains of the Day. London: Mandarin.

_____. The Remains of the Day. New York: Random House-Vintage International.

_____. Los restos del día. Barcelona: Anagrama.

_____. "The Family Supper." Story. Esquire (March 1990): 207-11.

_____. The Unconsoled. Novel. London: Faber and Faber, 1995. Pbk. 1996.* (Cheltenham Prize).

_____. Los inconsolables. Barceona: Anagrama, 1997.

_____. When We Were Orphans. Novel. London: Faber and Faber, 2000. Pbk. 2001.*

_____. Cuando fuimos huérfanos. Barcelona: Anagrama.

_____. Never Let Me Go. London: Faber and Faber, 2005.

_____. Nunca me abandones. Trans. Jesús Zulaika. (Panorama de narrativas). Barcelona: Anagrama, 2005. 2nd ed. 2011.*

_____. Nocturnos. Stories. Barcelona: Anagrama.

Ishiguro, Kazuo, and Kenzaburo Oe. "Wave Patterns: A Dialogue." Grand Street 10.2 (1991): 75-91.

Criticism
Allen, B. "Leaving Behind Daydreams for Nightmares." Rev. of Kazuo Ishiguro's The Unconsoled. Wall Stret Journal 11 Oct. 1995: A12.

Bigsby, Christopher. "An Interview with Kazuo Ishiguro." European English Messenger 0 (1990): 23-26.

Caporale Bizzini, Silvia. "Recollecting Memories, Reconstructing Identities: Narrators as Storytellers in Kazuo Ishiguro's When We Were Orphans and Never Let Me Go." Atlantis 35.2 (Dec. 2013): 65-80.*

Carpi, Daniela. (On the social subject in crisis: Spark, Tremain, Ishiguro). EJES 1.2 (August 1997): Postmodernism. Ed. Catherine Bernard.

Davis, Rocío G. "Imaginary Homelands Revisited in the Novels of Kazuo Ishiguro." Miscelánea 15 (1994): 139-54.*

_____. "The Remains of the Day: Kazuo Ishiguro's Sonnet on his Blindness." Cuadernos de Investigación Filológica 21-22 (1995-1996): 57-67.*

D'hoker, Elke. "Unreliability between Mimesis and Metaphor: The Works of Kazuo Ishiguro." In Narrative Unreliability in the Twentieth-Century First-Person Novel. Ed. Elke D'hoker and Gunther Martens. Berlin and New York: Walter de Gruyter, 2008. 147-70.*

Florén, Celia. "An Intertextual Reading of Irony in The Remains of the Day, by Kazuo Ishiguro." In The Intertextual Dimension of Discourse: Pragmalinguistic-Cognitive-Hermeneutic Approaches. Ed. Beatriz Penas. Zaragoza: Servicio de Publicaciones de la Universidad de Zaragoza, 1996. 15-28.*

Glaubitz, Nicola. "Transcribing Images—Reassembling Cultures: Kazuo Ishiburo's Japan." In Semiotic Encounters: Text, Image and Trans-Nation. Ed. Sarah Säckel et al. Amsterdam and New York: Rodopi, 2009. 175-90.*

González Bolia, Elsa. "Una mirada sobre The Remains of the Day." Cuadernos de Literatura Inglesa y Norteamericana 1.1 (1996): 85-96.*

Graver, Lawrence. Review of The Remains of the Day.  New York Times Book Review 8 October 1989: 3.

Groes, Sebastian, and Barry Lewis, eds. Kazuo Ishiguro: New Critical Visions of the Novels. Houndmills: Palgrave Macmillan, 2011.

Iyer, Pico. "Waiting upon History." (Ishiguro). Partisan Review (Summer 1991): 585-9.

Kemp, Peter. Rev. of Never Let Me Go. By Kazuo Ishiguro. The Sunday Times.



Luyat, Anne. "Myth and Metafiction: Is Peaceful Co-Existence Possible? Destruction of the Myth of the English Butler in Kazuo Ishiguro's The Remains of the Day." In Historicité et métafiction dans le roman contemporain des Iles Britanniques. Ed. Max Duperray. Aix-en-Provence: Publications de l'Université de Provence, 1994. 183-96.*

Phelan, James, and Mary Patricia Martin.. "The Lessons of 'Weymouth': Homodiegesis, Unreliability, Ethics, and The Remains of the Day." In Narratologies. Ed. David Herman. Columbus: Ohio State UP, 1999. 88-110.*

Mason, Gregory. "An Interview with Kazuo Ishiguro." Contemporary Literature 30.3 (Autumn 1989): 334-47.

McDonald, Keith. "Days of Past Futures: Kazuo Ishiguroʻs Never Let Me Go as ʻSpeculative Memoir.ʻ" Biography 30.1 (Winter 2007).

Menand, Louis. Rev. of Kazuo Ishiguro's Never Let Me Go. The New Yorker.

Newton, Adam Zachary. "Telling Others: Secrecy and Recognition in Dickens, Barnes, and Ishiguro." In Newton, Narrative Ethics. Cambridge (MA): Harvard UP, 1995. 241-86.*

O'Brien, Susie. "Serving a New World Order: Poscolonial Politics in Kazuo Ishiguro's The Remains of the Day." Modern Fiction Studies 42.3 (Winter 1996): 787-806.*

Redondo Olmedilla, José Carlos. "Creative Writing and Inspiration Mapping: Martin Amis and Kazuo Ishiguro Compared." In Proceedings of the 29th AEDEAN Conference: Universidad de Jaén 15 al 20 diciembre 2005. CD-ROM. Ed. Alejandro Alcaraz Sintes et al. Jaén: AEDEAN / Servicio de Publicaciones U de Jaén, 2006. 73-77.*

Rushdie, Salman. "Kazuo Ishiguro." 1989. In Rushdie, Imaginary Homelands. 1991. Harmondsworth: Penguin, 1992. 244-46.*

Sánchez-Ostiz, Miguel. "Los inconsolables." Rev. of Kazuo Ishiguro's novel. ABC (Suplemento cultural) 25 April 1997: 12.

Schwalm, Helga. "The Silence of Many Words: Metafictional Interior Monologues in the Postmodernist British Novels of Julian Barnes and Kazuo Ishiguro." In Anatomies of Silence. Ed. Ann R. Cacoullos and Maria Sifianou. Athens: U of Athens, 1998. 128-36.*

Shaffer, B. W. Understanding Kazuo Ishiguro. Columbia: U of South Carolina P, 1998.

Swift, G. "Kazuo Ishiguro." Bomb 29 (1989): 22-23.

Tamaya, Meera. "Ishiguro's The Remains of the Day: The Empire Strikes Back." Modern Language Studies 22.2 (Spring 1992): 45-56.

Vianu, Lidia. The AfterMode: Present Day English Fiction. Bucharest: Contemporary Literature Press / U of Bucharest / British Council / Romanian Cultural Institute, 2012. (Joyce, Peter Ackroyd, Martin Amis, Julian Barnes, Malcolm Bradbury, A. S. Byatt, Angela Carter, Tracy Chevalier, Jonathan Coe, Helen Fielding, Laura Hird, Kazuo Ishiguro, Hanif Kureishi, Doris Lessing, David Lodge, Ian McEwan, Timothy Mo, Salman Rushdie, Graham Swift, Rose Tremain, and Jeanette Winterson).

Villar Flor, C. "El miedo a malgastar la vida: Una conversación con Kazuo Ishiguro."¨Clarín: Revista de nueva literatura 10 (1997): 38-43.

_____. "Literary Englishness in Kazuo Ishiguro's The Remains of the Day." In Proceedings of the 22nd International Conference of AEDEAN (Asociación Española de Estudios Anglonorteamericanos). Lleida, 17-19 December 1998. Ed. Pere Gallardo and Enric Llurda. Lleida: Edicions de la Universitat de Lleida, 2000. 471-77.*

_____. "Unreliable Selves in an Unreliable World: The Multiple Projections of the Hero in Kazuo Ishiguro's The Unconsoled." Journal of English Studies 2 (2000): 159-70.*

Wall, Kathleen. "The Remains of the Day And Its Challenges to Theories of Unreliable Narration." Journal of Narrative Technique 24.1 (1994): 18-42.*



Yoshioka, Fumio. "Beyond the Division of East and West: Kazuo Ishiguro's A Pale View of the Hills." Studies in English Literature (1988): 71-86.
Films

Never Let Me Go. Dir. Mark Romanek. Screenplay by Alex Garland, based on the novel by Kazuo Ishiguro. Cast: Carey Mulligan, Andrew Garfield, Keira Knightley, Izzy Meikle-Small, Charlie Rowe, Ella Purnell, Charlotte Rampling, Sally Hawkins, Nathalie Richard. Exec. prod. Alex Garland, Kazuo Ishiguro, Tessa Ross. Associate prdo. Joanne Smith. Coprod. Richard Hewitt. Prod. Andrew Macdonald and Allon Reich. Music by Rachel Portman. Photog. Adam Kimmel. Ed. Barney Pilling, Prod. des. Mark Digby. DNA Films / Film 4 / Fox Searchlight, 2010.*

The Remains of the Day.


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