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Henrik Ibsen (1828-1906) (Norwegian realist dramatist; bankrupt father; worked in theatres, grant from the Norwegian government, moved to Rome 1864, feminist) Works


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A Bibliography of Literary Theory, Criticism and Philology



http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel García Landa

(University of Zaragoza, Spain)


Henrik Ibsen (1828-1906)

(Norwegian realist dramatist; bankrupt father; worked in theatres, grant from the Norwegian government, moved to Rome 1864, feminist)



Works
Ibsen, Henrik. The League of Youth.

_____. The Master Builder. 1st English prod. At Trafalgar Theatre, 1893.

_____. The Master Builder. Ed. and trans. Eva Le Gallienne. Faber, 1955.

_____. Brand.

_____. When We Dead Awaken.

_____. Rosmersholm.

_____. Rosmersholm. Trans. R. F. Sharp.

_____. Ghosts. Staged by the Independent Theatre at the Royalty, London, 13 March 1891.

_____. Little Eyolf. Drama.

_____. The Lady from the Sea. 

_____. An Enemy of the People. Trans. Arthur Miller. 1951.

_____. An Enemy of the People. In An Enemy of the People. The Wild Duck. Rosmersholm. Ed. and trans. James McFarlane. Oxford: Oxford UP.

_____. Peer Gynt. Verse drama. 1867. 1st performed at Christiania (Oslo), 1876, with music by Edvard Grieg.

_____. Peer Gynt. Trans. Christopher Fry and Johann Fillinger. Introd. James McFarlane. Oxford: Oxford UP.

_____. Peer Gynt. (GF 805). Paris: Garnier-Flammarion.

_____. Hedda Gabler. Drama. In The Norton Introduction to Literature. 5th ed. Ed. Carl Bain et al. New York: Norton, 1991. 835-996.

_____. The Wild Duck. Trans. U. Ellis-Fermor.

_____. The Wild Duck.  Ed. Dounia Christiani. (Norton Critical Edition). New York: Norton, 1969.

_____. A Doll House. Pub. and 1st perf. 1879.

_____. A Doll House. In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002. 1165-1233.*

_____. Une Maison de poupée. (GF 792). Paris: Garnier-Flammarion.

_____. La Casa de las Muñecas. Madrid: Alianza Editorial, 1989.

_____. Four Major Plays. Introd. James McFarlane. Trans. James McFarlane and Jens Arup. Oxford: Oxford UP.

_____. An Enemy of the People. The Wild Duck. Rosmersholm. Ed. and trans. James McFarlane. Oxford: Oxford UP.

_____. Hedda Gabler. Pillars of Society. The Wild Duck. Harmondsworth: Penguin.

_____. Casa de muñecas. Hedda Gabler. Madrid: Alianza.

_____. Pillars of Society. Drama.

_____. John Gabriel Borkman. Drama.

_____. Hedda Gabler. Ed. and trans. Eva Le Gallienne. Faber, 1953.

_____. A Doll's House. League of Youth. Lady from the Sea. Harmondsworth: Penguin.

_____. (Complete works of Henrik Ibsen). Trans. William Archer.


Criticism
Alas, Leopoldo ("Clarín"). "Ibsen y Daudet." In Alas, Ensayos y revistas. 1892. Barcelona: Lumen, 1991. 317-33.*

Benston, Alice N. "Ambiguity, Discontinuity and Overlapping in Peer Gynt." Modern Drama 27.2 (June 1984).

Binswanger, Maurice. Hendrik Ibsen und das Problem der Selbstrealisation in der Kunst. Heidelberg, 1949.

Bloom, Harold. "Ibsen: Trolls and Peer Gynt." In Bloom, The Western Canon. 1994. London: Macmillan, 1995. 350-68.*

Caraher, Brian. "Bourgeois Guilt and the Return of Northern Ghosts: Ibsen's Ghosts and Hedda Gabler as Melodramas of Horror." In Caraher, Trespassing Tragedy: Melodramas of Horror. Houndmills: Macmillan, 2000.

Dobrée, Bonamy. "Henrik Ibsen." In Dobrée, The Lamp and the Lute. Oxford: Clarendon, 1929. 1-20.

Downs, B. W. Ibsen: The Intellectual Background.

Forster, E. M. "Ibsen the Romantic." 1928. In Forster, Abinger Harvest. London: Arnold, 1940. 81-6.*

Fuchs, Elinor. "Counter-Stagings: Ibsen against the Grain." In Fuchs, The Death of Character: Perspectives on Theater after Modernism. Bloomington: Indiana UP, 1996. 52-66.*

Gerland, Oliver. "The Paradox of Memory: Ibsen's When We Dead Awaken and Fin-de-Siècle Psychotherapy." Modern Drama 38.4 (Winter 1995): 450-61.*

Knight, G. Wilson. Ibsen. 1962.

Leigh, James. "Ebb and Flow: Ibsen's The Lady from the Sea and the Possibilities of Feminine Discourse." Modern Drama 41.1 (Spring 1998): 119-133.

Marker, Frederick J., and Lise-Lone Marker. Ibsen's Lively Art: A Performance Study of the Major Plays. 1989.

MacCarthy, Desmond. "Ibsen." In Desmond MacCarthy: The Man and His Writings. Introd. David Cecil. London: Constable, 1984. 185-96.

McFarlane, James. Introd. to Four Major Plays. By Henrik Ibsen. Trans. James McFarlane and Jens Arup. Oxford: Oxford UP.

Moi, Toril. Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy. Oxford University Press, 2006.

Northam, J. R. Ibsen's Dramatic Method. Faber, 1953.

Pérez Gállego, Cándido. Para leer a Henrik Ibsen. Madrid: Palas Atenea, 1990.

Quiller-Couch, A. T. "Ibsen's Peer Gynt." In Quiller-Couch, Adventures in Criticism. London: Cassell, 1896. 295-309.*

_____. "A Morning with a Book." (Ibsen). In Quiller-Couch, Adventures in Criticism London: Cassell, 1896. 319-26.*

Sainero Sánchez, Ramón. "Ibsen y el movimiento literario irlandés." Homenaje a Esteban Pujals Fontrodona. Oviedo: U de Oviedo / AEDEAN, 1982.*

Shaw, Bernard. The Quintessence of Ibsenism. 1891, rev. 1913. In Shaw, Major Critical Essays. London: Constable, 1932. 1-150.*

Styan, J. L. "1. Dramatic Dialogue Is More Than Conversation - Rosmersholm, The Importance of Being Earnest." In Styan, The Elements of Drama. Cambridge: Cambridge UP, 1960. 11-26.* (Ibsen).

_____. "7. Tempo and Meaning: The Importance of Being Earnest, Saint Joan, The Wild Duck, The School for Scandal, The Father." In Styan, The Elements of Drama. Cambridge: Cambridge UP, 1960. 141-62.* (Ibsen, Sheridan, Strindberg).

Suarès, André. Trois hommes (Pascal, Ibsen, Dostoïevski). 1913.

Theoharis, Theoharis C. Ibsen's Drama: Right Action and Tragic Joy. Houndmills: Macmillan, 1999.

Ueberschlag, G. "Ibsen (1828-1906)." In A History of European Literature. Ed. Annick Benoit-Dusausoy and Guy Fontaine. London: Routledge, 2000. 484-88.*

Watson, William. "Ibsen's Prose Dramas." In Watson, Excursions in Criticism. London: Mathews, 1893. 127-32.*

Zeineddine, Nada. Because It Is My Name: Problems of Identity Experienced by Women Artists and Breadwinners in the Plays of Henrik Ibsen, Tennessee Williams and Arthur Miller. London: Merlin, 1991.

Internet resources



Ibsen Worldwide. Website.


http://www.ibsenworldwide.info/

2006-02-08


Music
Grieg, Edward. Seks Digte af Henrik Ibsen, op. 25. 1876.

_____. Lieder / Songs. Anne Sofie von Otter, Beng Forsberg. CD. Deutsche Grammophon, 1993.*

_____. Peer Gynt. Music for Henrik Ibsen's drama. 1876-.

_____. Peer Gynt. Suite no. 1 op. 46; suite no. 2 op. 55. From the music for Henrik Ibsen's drama. In Edvard Grieg. Peer Gynt. Jean Sibelius. Pelléas et Mélisande. Berliner Philharmoniker / Herbert von Karajan. CD/MC. Hamburg: Deutsche Grammophon, 1983.*


Related works



Jones, Henry Arthur. Breaking a Butterfly. Adaptation of Ibsen's A Doll's House. 1884.


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